Daisy Edgar-Jones dazzled in a vintage Armani gown as she made a glamorous arrival to the Sense and Sensibility premiere in Berlin on Monday.The Normal People actress, 28, plays Elinor Dashwood alongside her onscreen sister Esme Creed-Miles, 26, who stars as Marianne.The Dashwood sisters have looked a vision during the promotional tour for the Jane Austen adaptation, which hits cinemas on September 25. Based on Austen’s debut novel, it is a timeless story of two sisters navigating love and heartbreak among the strict social rules of 18th-century Britain. Overall, the ‘flat’ Gen-Z friendly reboot has received lukewarm reviews and low ratings, with critics arguing the adaption ‘doesn’t compare’ to Ang Lee’s 1995 classic. The actresses are reuniting after they first worked together as teenagers on the 2018 film Pond Life. Daisy Edgar-Jones, 28, dazzled in a vintage Armani gown as she made made a glamorous arrival to the Sense and Sensibility premiere in Berlin on Monday The Normal People actress plays Elinor Dashwood alongside her onscreen sister Esme Creed-Miles, who stars as MarianneThe film captures romance, humour, beautiful landscapes in an unmissable cinematic experience starring Daisy, Esme and the incomparable Fiona Shaw.The latest adaptation of Jane Austen’s classic epochal story is released in the UK on September 25 and premieres in the US on October 16.The first trailer faithfully follows Austen’s story of the three Dashwood sisters and their mother as they are forced to leave Norland Park, the family estate in Sussex, and move to a modest cottage in distant Devon after the death of their father. There, they experience a new life on the fringes of the society they once basked in as well as becoming acquainted with new suitors. In Sense and Sensibility, the siblings’ opposing inner sensibilities see them approach courting like chalk and cheese, with elder sister Elinor guided by her practical ‘head’, while Marianne is driven by her passionate ‘heart’.Our film critic Brian Viner gave the movie a low two stars, reviewing: ‘This modern love story has lost Austen’s 18th Century charms’.The Telegraph’s Robbie Collin’s thoughts were a stark contrast to most critics as he awarded the movie with five stars. He wrote: ‘The performances have historically appropriate poise, but also feel fresh and unrehearsed. [embedded content] The Dashwood sisters have looked a vision during the promotional tour for the Jane Austen adaptation, which hits cinemas on September 25 Overall, the ‘flat’ Gen-Z friendly reboot has received lukewarm reviews and low ratings, with critics arguing the adaption ‘doesn’t compare’ to Ang Lee’s 1995 classic The latest adaptation of Jane Austen’s classic epochal story is released in the UK on September 25 and premieres in the US on October 16 Based on Austen’s debut novel, it is a timeless story of two sisters navigating love and heartbreak among the strict social rules of 18th-century BritainOakley intensifies the naturalism with the inspired decision to regularly inject scenes with dogs, which sniff and potter around as the drama unfolds, or simply doze at the feet of their master or mistress. That might sound trivial, but the effect is humanising and often warmly comic, too.”This is Austen with the bonnets blown off – and all the better for it,’ he added.If you are a Jane Austen purist hoping for something that’s similar to the sisters Emma Thompson and Kate Winslet brought us, this one does not compare’, said The Sun’s Dulcie Pearce.The Times’ Kevin Maher swiped: ‘This is Austen by numbers, emotionally flat, dramatically uneven and bizarrely, bafflingly, conventional.’The Independent’s Clarisse Loughrey awarded the movie a positive four stars, writing in her review: ‘New adaptation isn’t meant for Jane Austen purists. ‘Still, Esmé Creed-Miles and Daisy Edgar-Jones make for a winning Marianne and Elinor, in this very modern take that ramps up the yearning and earthiness of its source material.’ The Guardian’s Peter Bradshaw penned: ‘The mood is cooler, but interestingly austere, sober and thoughtful. There are also some strange casting decisions.’Sense and Sensibility review: What are the critics saying?The Daily Mail (two stars)Rating:This modern love story has lost Austen’s 18th Century charms’, reviews Brian Viner. The SunIf you are a Jane Austen purist hoping for something that’s similar to the sisters Emma Thompson and Kate Winslet brought us, this one does not compare’, says Dulcie Pearce.The Telegraph (five stars) Rating:’The performances have historically appropriate poise, but also feel fresh and unrehearsed’, Robbie Collin writes. ‘This is Austen with the bonnets blown off – and all the better for it’The Times (two stars)Rating:’This is Austen by numbers, emotionally flat, dramatically uneven and bizarrely, bafflingly, conventional’, Kevin Maher swipes.The Independent (four stars)Rating:Clarisse Loughrey pens: ‘New adaptation isn’t meant for Jane Austen purists. Still, Esmé Creed-Miles and Daisy Edgar-Jones make for a winning Marianne and Elinor, in this very modern take that ramps up the yearning and earthiness of its source material.’Empire (three stars)Rating:Laura Venning says: ‘Having grappled with Austen’s key themes, the film’s focus shifts to straightforward romance, which feels rather played out and, crucially, not especially funny.’The Guardian (three stars)Peter Bradshaw writes: ‘The mood is cooler, but interestingly austere, sober and thoughtful. There are also some strange casting decisions.’